The Music & Writings of Graham Jackson
Table of Contents
|
Page | |
Preface | 5 | |
PART I - Introduction |
||
Chapter | ||
1 - The Musician as Human Being | 7 | |
2 - The Overtone and Undertone Series | 11 | |
3 - Harmony, Number and Space | 17 | |
PART II - Ancient Music |
||
4 - Dionysos and the Ancient Greek Music | 28 | |
5 - The Undertone Series Around the World | 36 | |
6 - Apollo and the Ancient Greek Music | 41 | |
7 - Plato’s Musical Comedy | 48 | |
8 - Musical Laws in the Vedas and Apocalypse | 56 | |
9 - The Two Streams in the Ancient Mysteries | 61 | |
10 - Christ and the Mystery of Evil | 67 | |
11 - Cyclic and Radial Systems | 72 | |
PART III - Mediaeval Music |
||
12 - The Rise of Harmony and the Human Soul | 77 | |
13 - The Music of the Druids | 82 | |
14 - The Celtic Mysteries | 91 | |
15 - The Troubadours and the Holy Grail | 96 | |
16 - Currents Across Europe | 102 | |
PART IV - Classical Music |
||
17 - Zarlino and the Triad | 108 | |
18 - The Problem of Harmony: From Rameau to Riemann | 114 | |
19 - The Solution and Bach | 121 | |
20 - Working with the Polarity of Harmony | 128 | |
21 - Rhythm, Accent and Will | 137 | |
22 - Wagner and Inspiration | 141 | |
PART V - Modern Music |
||
23 - The New Century and Popular Music | 148 | |
24 - The Spiritual Roots of Rock Music | 153 | |
25 - Debussy, Schoenberg, Stravinsky | 157 | |
26 - Bartok, Hindemith, Scriabin | 164 | |
27 - Melody in the Single Tone: New Tunings | 172 | |
28 - A Way Forward | 179 | |
Appendices | 186 | |
Index | 189 |